pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
pen-flourishing. Drawing of a human head in the margin (f. 17v). Genealogia deorum gentilium Colophon, written for Giovanni Morosini at Venice in 1388: 'Hoc opus est domini Johannis Maurcoe [Mauroceno?] qui scribi fecit ipsum M^o^CCC^o^LXXXVIIJ^o^ indictione xj^a^ die xxiij^a^ mensis
of a Doge's Commission (index commissione dogale) to a member of the Zane family of Venice. A member of the noble Zane family of Venice and governor in the last quarter of the 16th century: their arms (f. 33).Charles Stuart,
?Bragadin family of Venice (azure a cross gules argent). Leaf of a Doge's Commission (index commissione dogale) to a Venetian nobleman, possibly a member of the Bragadin family ?A member of the noble Bragadin family of Venice in the last
in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Distribution of alms Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)
Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Decorated initial and border Venice Italy, N. (Venice)
an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,
leaf verso; its book-plate with the pencil inscription: ‘XIII.1.22’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Virgin and Child with patron Venice Italy, N. E. (Venice)
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
sale 31 May 1855, lot 2248 (f. 30v); purchased for £1 9s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Marino Grimani to Tommaso Giustinian Venice Italy, N. E. (Venice)
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd