diplomatist: his sale 31 May 1855, lot 2257/2 (f. 5v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Contarini Master T.° Ve. Venice Italy, N. E. (Venice)
(inscribed erroneously 'Lot 2145', f. 5v); purchased for £3 1s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Pietro Lando to Pietro Pizzamano Master T.° Ve. Venice Italy, N. (Venice)
four-line red stave is visible through the illumination. Cutting from an Antiphoner (index antiphonary, antiphonal) 'SS. Pietro e Paolo in Venice' inscribed in a 19th-century hand on the verso of related cutting Cleveland, Cleveland Museum of Art, no. 24.431 (see
sale 31 May 1855, lot 2248 (f. 30v); purchased for £1 9s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Marino Grimani to Tommaso Giustinian Venice Italy, N. E. (Venice)
1845), diplomatist: his sale 31 May 1855, lot 2258*/7 (f. 22v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission Huntington Master Venice Italy, N. E. (Venice)
1845), diplomatist: his sale 31 May 1855, lot 2255 (f. 25v); lot purchased for £1 2s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to Alvise Venice Italy, N. E. (Venice)
his sale 31 May 1855, lot 2258*/11 (f. 27v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to a Venetian nobleman Venice Italy, N. E. (Venice)
his sale 31 May 1855, lot 2258*/12 (f. 28v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to a Venetian nobleman Venice Italy, N. E. (Venice)
his sale 31 May 1855, lot 2258*/13 (f. 29v); lot purchased for £3 5s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to a Venetian nobleman Venice Italy, N. E. (Venice)
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)
with an inscription on f. 1. Ruled in hardpoint. Quire signatures: A, B, etc. Written in Italy, possibly Venice c. 1420, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. 8 large initials in
beginning of Hercules furens. Catchwords written horizontally.This manuscript is dated to the early 15th century, possibly Venice, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Each tragedy is introduced by a prologue. Miniature (damaged),
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Juvenal (index Decimus Junius Juvenalis) Venice Italy, ?N. E. (?Venice)
Decorated initials, rubrics and marginalia in brown. 'Grammatica Isagoge Graece', Books 1-4 Written by Georgios Tribizias, a Greek priest in Venice (ff. 1-146; see Gamillscheg and Harlfinger 1978 and 1981).Partly written at Padua by Pietro Bravi of Verona (index Petrus
31 May 1855, lot 2257/1 (f. 17v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Alivse I Mocenigo Giorgio Colonna Venice Italy, N. E. (Venice)
d. 1845), diplomatist: his sale 31 May 1855, lot 2258*/4 (f. 18v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Doge's Commission Venice Italy, N. E. (Venice)