with the watermark 'W Turner & Son').Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Decorated headpiece and initial Georgios Tribizias Georgios Tribizias Manuel Moschopoulos, Anonymous Italy Italy, N. E. (Venice)
of Burney paper with the watermark 'W Turner & Son').Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Georgios Tribizias Georgios Tribizias Manuel Moschopoulos, Anonymous Italy Italy, N. E. (Venice)
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.
edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.
edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.
and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414. 1 historiated initial
1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 8936 (made in Venice 1443-9). Large initial in colours and gold (f. 1). Rubrics in red. Large plain initials in blue or red.
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
initials alternately plain blue or red. Epistolae ad familiares Probably written before 1455: an oration made to the Doge of Venice by Galeazzo Maria Sforza in that year is added in a later hand on f. 2v.Mario Maffei (b. 1463,
Foliate headpiece with four roundels enclosing birds and busts, and foliate border three roundels enclosing a bust and two armorial shields, (the border is possibly a later addition), at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
Possibly added foliate illuminated border with three roundels enclosing a bust and two armorial shields, at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four
Foliate headpiece with four roundels enclosing birds and busts at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four roundels enclosing birds and busts, and
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly