December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed
anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed
anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed
in service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret of York; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of
in service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret of York; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old