• Detail of a pen drawing illustrating Psalm 36., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of a pen drawing illustrating Psalm 110., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Decorated initial 'D'(ominus) at the beginning of Psalm 26, with dragons, leaves, and faces., Psalter, including material for determining hours of daylight, a calendar, Canticles and hymns, and creed (ff. 139v-141v), litany and prayers

the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial in red and blue with red and blue penwork decoration extending to form a

• Detail of pen drawings illustrating Psalm 115., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 116., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 119., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 120., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 123., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of pen drawings illustrating Psalm 125., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of a pen drawing of horsemen holding spears, from an illustration for Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of a pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of a pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Detail of a pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Coloured initials: 'M'(entibus), 'G'(loria), 'P(ater)., Collectar and Hymnal (the 'Leofric Collectar'), imperfect at the end

Coloured initials: 'M'(entibus), 'G'(loria), 'P(ater). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion

• Coloured initials:'B'(eatus), 'D'(eus), 'I'(ustum)., Collectar and Hymnal (the 'Leofric Collectar'), imperfect at the end

Coloured initials:'B'(eatus), 'D'(eus), 'I'(ustum). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann

• Coloured initials: 'O'(mnipotens), 'I'(n), 'O'(mnipotens), 'I'(n), 'D'(eus)., Collectar and Hymnal (the 'Leofric Collectar'), imperfect at the end

Coloured initials: 'O'(mnipotens), 'I'(n), 'O'(mnipotens), 'I'(n), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert:

• Coloured initials: 'D'(eus), 'I'(ustus)., Collectar and Hymnal (the 'Leofric Collectar'), imperfect at the end

Coloured initials: 'D'(eus), 'I'(ustus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann

• Coloured initials: 'P'(r[aest]a), 'M'(isit), 'D'(eus)., Collectar and Hymnal (the 'Leofric Collectar'), imperfect at the end

Coloured initials: 'P'(r[aest]a), 'M'(isit), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion

• Miniature of antelopes and woman and a unicorn., Theological miscellany, including the Summa de vitiis (see Notes for contents)

implies Dominican patronage (f. 27).Contents note in 16th-century Gothic cursive script (f. 1v). Richard Edwards: 17th-century inscription 'Rich Edwards' (f. 1). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and