• Marginal image of a pennant on a wheeled base, the stand surmounted by a cross, and the decorated initials 'A'(nno) and 'P'(roceres)., Annales

and 'P'(roceres). 1 puzzle initial in red and blue with red and blue pen-flourishing (f. 1). Initials in red with blue pen-flourishing, and in blue with red pen-flourishing. 1 large marginal image of a pennant (f. 41v). 1 diagram in

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Illuminated border and Initial 'N'(octiam) with an unfinished drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife, and on the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

a quadruped (dragon?). 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Illuminated white vine initial 'O'(mnis), at the beginning of Sallust's Bellum Catilinarum., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of illluminated initial., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of heraldry., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of text., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Illuminated initial 'M'(arcus) at the beginning of the prologue to Mark., Glossed Gospel of Mark

Illuminated initial 'M'(arcus) at the beginning of the prologue to Mark. 1 large historiated initial in colours on a gold ground at the beginning of Mark (f. 6). 1 large initial in gold on a blue ground with colours and

• null, Les Chroniques d'Angleterre (3 vols)

grounds. Cadels. Vol. II: 5 miniatures have been cut out (ff. 1, 28, 62v, 83v, 140v). 1 large initial in gold, incorporating heraldic arms on a red ground (f. 1). Smaller and small initials in gold on red and blue

• Diagram., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Decorated initial., De regimine dominorum (principum) (ff. 1-215v); Liber Proverbiorum Salomonis (ff. 217-234)

extensions into the margins, in colours (ff. 1v, 79, 139v, 157). 1 small decorated initial, in colours (f. 192v). 1 large initial in blue, with reserved designs (f. 1).1 small initial in red with blue pen-flourishing (f. 11). Small

• Decorated initial., De regimine dominorum (principum) (ff. 1-215v); Liber Proverbiorum Salomonis (ff. 217-234)

extensions into the margins, in colours (ff. 1v, 79, 139v, 157). 1 small decorated initial, in colours (f. 192v). 1 large initial in blue, with reserved designs (f. 1).1 small initial in red with blue pen-flourishing (f. 11). Small

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Unfinished miniature of the martyrdom of Laurence, with an illuminated initial 'L'(orens), and partial foliate borders, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Unfinished miniatures of Pope Felix and of Simplicius and Faustina, with illuminated initials and partial foliate borders, at the beginning of their legends., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to