• Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra

• Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of

• Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro

• Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin. Alexander 1985 notes