• null, Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in brown ink (f. 68). Breviary, Use of Sarum with Norwich variants ('The

• null, Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in brown ink (f. 68). Breviary, Use of Sarum with Norwich variants ('The

• null, Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in brown ink (f. 68). Breviary, Use of Sarum with Norwich variants ('The

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Flyleaf, verso side., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Carpet pages., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a line filler., Fragments from Exodus (1:1-8:5)

brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a foliate scroll as line filler., Fragments from Exodus (1:1-8:5)

and brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Heraldic decoration., Commission of Doge Francisus Erizzo to Antonio Barbadico

Heraldic decoration. 2 full-page armorial miniatures, in colours and gold (f. 1*r-v). 1 title page with display script, surrounded by a gold frame with blue flowers (f. 1). Commission of Doge Francisus Erizzo to Antonio Barbadico Antonio Barbadico: his arms

• Partial knotwork headpiece and decorated initial 'O'(rbis) at the beginning of Pomponius Mela's De chorographia., De chorographia (ff. 1-23), and other works, including an account of a sea voyage (ff. 23v-25v)

headpiece and decorated initial 'O'(rbis) at the beginning of Pomponius Mela's De chorographia. 1 large initial with pen decoration (f. 1).1 interlace headpiece (f. 1).1 map (f. 25v). De chorographia (ff. 1-23), and other works, including an account

• Textual illustration of a menorah with explanatory captions, in brown ink., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Detail of a page: drawing of a menorah with explanatory captions., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• A three-sided illuminated border with two birds and a rabbit, and the illuminated initial 'L'(e) in the list of chapters of Roger of Salerno's Chirurgia, on the left. On the right is a full-page miniature in three registers, of the Annunciation, Visitation, and Nativity, in the upper register, and below, a surgeon performing an operation for a compound fracture of the skull., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours