• Detail of miniature of Bel-Acoeil taking the chaplet and mirror., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Bel-Acoeil talking to the old woman., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of the dreamer talking to Bel-Acoeil., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Dangier, Paour, and Honte with the dreamer., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Pygmalion kneeling before the statue., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Pygmalion praying before the temple., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of the statue speaking to Pygmalion., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Pygmalion kissing the statue., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Full bar border with a historiated initial 'B'(eatus) of David harping and a hound and a stag in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• Detail of a historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• Detail of illuminated initial and catchwords 'mala autem' with a face., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• Historiated initial 'S'(alvum) of Jonah riding the whale., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• An historiated initial 'C'(antate) depicting two monks singing at a lectern, with one conducting; musical notation and border decoration with grotesques., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• Miniature of the martyrdom of Alban in the upper register, and of the martyrdom of Amphibaldus in the lower register., Psalter and Canticles

fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

patron. This volume is the first of a three or four-volume set. The second volume, containing the Pauline Epistles is 1 E V, vol. 2, and the third volume, containing the Gospels of Matthew and Mark, is Cambridge, Cambridge University

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

patron. This volume is the first of a three or four-volume set. The second volume, containing the Pauline Epistles is 1 E V, vol. 2, and the third volume, containing the Gospels of Matthew and Mark, is Cambridge, Cambridge University

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

patron. This volume is the first of a three or four-volume set. The second volume, containing the Pauline Epistles is 1 E V, vol. 2, and the third volume, containing the Gospels of Matthew and Mark, is Cambridge, Cambridge University

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

patron. This volume is the first of a three or four-volume set. The second volume, containing the Pauline Epistles is 1 E V, vol. 2, and the third volume, containing the Gospels of Matthew and Mark, is Cambridge, Cambridge University

• Detail of a miniature of Matthew with an angel, his symbol, holding a scroll inscribed 'evangeli[a] secu[n]du[m] matheu[m]., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of Mark writing his Gospel, with the words 'secu[n]du[m] marcu[m]' on a scroll, with his symbol, the lion., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books