• Puzzle initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum., Epistola Ypocratis ad Alexandrum (ends imperfectly)

initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum. 1 large puzzle initial in blue and red with penwork decoration in red and blue (f. 1).1 smaller initial with reserved designs (f. 4). Small initials in plain

• Decorated initials 'D' and 'P' in red and green in the liturgy of Basil, each with foliate and geometric patterns., Liturgy of Basil of Caesarea

f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818 (inscription 'E Libri Caroli Parr Burney 1818', f. 1). Decorated initials Eastern Mediterranean

• Decorated initial 'R'(icardus) with pen-flourishing at the beginning of the statutes of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III (ff. 13-217) to 7 Richard II (ff. 217-271)

or red with penwork decoration in the other colour. Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III (ff. 13-217) to 7 Richard II (ff. 217-271) Added inscription, 15th century (f. [276]).The Harley Collection, formed

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

the Arno plain: ‘hic liber est sancte marie de Popllena [in quid?] est librum beati Johannis super expositionem evangelii’ (f. 1, upper margin), and a note of the consecration of the abbey church of S. Mariae de Poplina in 1100,

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

the Arno plain: ‘hic liber est sancte marie de Popllena [in quid?] est librum beati Johannis super expositionem evangelii’ (f. 1, upper margin), and a note of the consecration of the abbey church of S. Mariae de Poplina in 1100,

• Detail of a miniature of several episodes from book IV of Virgil's Aeneid: on the right, the hunt during which Dido and Aeneas meet; on the left, Dido and Aeneas ride into a cave together, and in the middle of the image, Dido is on her funeral pyre, committing suicide after the departure of Aeneas.and decorated initial 'A'(t)., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,

• Illuminated initial 'A'(ctum) with a partial bar border, at the beginning of book 10., Commentary on Unum ex quatuor

and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]

• Miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text. Contains

• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'P'(ost) with a partial border, at the beginning of book 5., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Detail of an angel holding a scroll with a catchword., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'D'(a michi), with a full border, at the beginning of the prologue., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and