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1v, 13v). 1 small initial in plain red (f. 1v); blank spaces for others. Added marginal drawings including human figures. Unum ex quatuor The Carthusian abbey of Mainz, 15th century: inscribed 'Iste liber Carthusie(n)siu(m) p(ro)pe Magu(n)cia(m)' (f. 1, cf. f.
1v, 13v). 1 small initial in plain red (f. 1v); blank spaces for others. Added marginal drawings including human figures. Unum ex quatuor The Carthusian abbey of Mainz, 15th century: inscribed 'Iste liber Carthusie(n)siu(m) p(ro)pe Magu(n)cia(m)' (f. 1, cf. f.
in colours and gold, at the beginning of the preface and of the books (ff. 1, 7, 38, 57v, 78, 99v, 127v, 147v, 172). Cyropaedia The translation was finished in 1467.Signed by the scribe 'Pet I excripsit' (f. 210).Antonius Clava
in colours and gold, at the beginning of the preface and of the books (ff. 1, 7, 38, 57v, 78, 99v, 127v, 147v, 172). Cyropaedia The translation was finished in 1467.Signed by the scribe 'Pet I excripsit' (f. 210).Antonius Clava
of Alberto Scotto in the lower margin. f. 1 is a parchment leaf with an effaced inscription (probably relating to ownership).ff. 34, 35 are ruled parchment leaves with various inscriptions.Horizontal catchwords. 1 large white vine initial in colours and gold
Headpiece and initial with foliate decoration. Headpiece with foliate decoration in red (f. 2). Initials with foliate decoration, line-fillers and titles in red. Commentary on Plato's Parmenides, Books 1-6 Scribe erroneously identified as Angelos Bergikios (see Gamillscheg and Harlfinger
1427) (Watson, 1979). A full-page drawing in brown ink of a crenellated building (f. 148v). 1 large initial in blue with red penwork decoration (f. 1). 9 large blue initials (f. 22v, 53, 76, 95v, 117, 136v, 156, 175, 213).
by Magnus Ryan. Ff. 3-102: 1 large illuminated initial with a partial foliate border and heraldic arms, in colours and gold (f. 1). Small initials, some with reserved designs, in plain red. Ff. 105-250: 1 large reserved place for illuminated
by Magnus Ryan. Ff. 3-102: 1 large illuminated initial with a partial foliate border and heraldic arms, in colours and gold (f. 1). Small initials, some with reserved designs, in plain red. Ff. 105-250: 1 large reserved place for illuminated
by Magnus Ryan. Ff. 3-102: 1 large illuminated initial with a partial foliate border and heraldic arms, in colours and gold (f. 1). Small initials, some with reserved designs, in plain red. Ff. 105-250: 1 large reserved place for illuminated
books in Sozomeno's own library (see de la Mare 1973, p. 94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations
books in Sozomeno's own library (see de la Mare 1973, p. 94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations
books in Sozomeno's own library (see de la Mare 1973, p. 94). White vine initials in gold and colours (ff. 1, 18, 32v, 46v, 69, 75v, 85v). Numerous large initials in blue. Rubrics and running headers in red (faded). Abbreviations
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.3.1’, f. [iii verso]).Purchased by the British Museum from the Royal Society together
tool of the binding occurs also in Harley 2804. Headpieces and initials with geometric or foliate decoration in red (ff. 1, 128, 230, 245). Initials with occasional foliate decoration and titles in red. Line-fillers with geometric decoration in red and
red, with decorated extensions in red and blue, at the beginning of the prologue and the text (ff. 4, 7v). 1 large initial in blue with red pen-flourishing at the beginning of the preface (f. 2). 2 penwork initials with
red, with decorated extensions in red and blue, at the beginning of the prologue and the text (ff. 4, 7v). 1 large initial in blue with red pen-flourishing at the beginning of the preface (f. 2). 2 penwork initials with
red, with decorated extensions in red and blue, at the beginning of the prologue and the text (ff. 4, 7v). 1 large initial in blue with red pen-flourishing at the beginning of the preface (f. 2). 2 penwork initials with
red, with decorated extensions in red and blue, at the beginning of the prologue and the text (ff. 4, 7v). 1 large initial in blue with red pen-flourishing at the beginning of the preface (f. 2). 2 penwork initials with
red, with decorated extensions in red and blue, at the beginning of the prologue and the text (ff. 4, 7v). 1 large initial in blue with red pen-flourishing at the beginning of the preface (f. 2). 2 penwork initials with