Your search found 11156 results in 1 resource
Detail of zoomorphic initial. 1 large zoomorphic initial (f. 1). 2 large decorated initials (ff. 45, 78). Decorated descenders, one including a Crucifixion (f. 182v). De eucharista contra Petrum Martyrem Vermilium Written not earlier than 1549: the text is by
MS Typ 981, f. 2 (f. 1 from the same manuscript), pf MS Typ 982, ff. 1-2, pf Ms Typ 983, ff. 1-3, pf Ms Typ 985, f. 1, pf Ms Typ 986, f. 1, pf Ms Typ 990, f.
2. 1 large decorated initial, in colours and gold (f. 3). Small initials in gold on red grounds. Description d'Italie f. 2 is bound separately as Egerton 619, f. 2.Unidentified owner, last quarter of the 15th century: arms (f. 1,
a cardinal's unidentified coat of arms (f. 1). Display script and rubrics in blue, pink or gold. De amicitia Unidentified cardinal, 15th century: defaced unidentified arms surmounted by a cardinal's hat (f. 1). Added pen-trials and inscriptions, post medieval (ff.
blank leaves after f. 171.3 blank leaves after f. 178.1 blank leaf after f. 209. 1 large initial in red with brown pen-flourishing (f. 1 ). Initials in red, some large, some small. Rubrics in red. Capitals marked in yellow.
and purple ink with 1 large initial in red with orange and purple penwork decoration and 1 large initial in red with blue penwork decoration (f. 1). Partial border in orange and purple ink with 1 large initial in red
during wartime. Large initials in gold on blue and pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The
pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The remainder of the manuscript (ff. 5-87v) is an 18th-century
his court, at the beginning of the Chronicle of France. 1 large miniature, in colours and gold, accompanied by a large decorated initial in blue on a red ground (f. 1). Large initials and paraph marks in plain red or
borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale
signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column
borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale
borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale
borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale
for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were
for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were
for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were
for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were
robe (ff. 1 and 83). Three-sided border and 1 historiated initial of Petrarch in colours and gold (f. 1). Another historiated initial of Petrarch in colours and gold at the beginning of the 2nd book (f. 83). 1 smaller decorated
Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate