• Full-page miniature of Michael III of Wallachia on horseback. The text in the border reads: 'The figure is without soul, but it has the eyesight of a living person, and if anybody wants to know the effigy of this one, it is of the akoutsos (or famous) Master (Afthentis) Michalis of whom all Turks, both young and old, were scared'., Life of Michael III, Voivod of Wallachia (Mihai Viteazul)

(or famous) Master (Afthentis) Michalis of whom all Turks, both young and old, were scared'. Spaces left for other miniatures.f. 1 is a paper fragment with notes by Covel pasted to f. [iiv] (see Wright 1972).For the text, see Emile

• Headpiece and decorated initial., Life of Michael III, Voivod of Wallachia (Mihai Viteazul)

Spaces left for other miniatures.f. 1 is a paper fragment with notes by Covel pasted to f. [iiv] (see Wright 1972).For the text, see Emile Legrand, ~Bibliothèque grecque vulgaire~ (Paris: H. Welter, 1881), II, pp. lxxx-lxxxiii, 183-230. Full-page miniature in

• Miniature of the funeral of Anne of Brittany, in the Complainte sur la mort d'Anne de Bretagne., Complainte sur la mort d'Anne de Bretagne (died in 1514)

10 large miniatures, in colours and gold (ff. 4v, 7v, 10, 13v, 18, 35v, 38, 40, 51v, 55v). 1 half-page miniature with the arms of Anne of Brittany, in colours and gold (f. 2v). 8 heraldic arms in the margins

• Miniature of the funeral of Anne of Brittany, and decorated initials 'L'(e) and 'A'(ussi), in the Complainte sur la mort d'Anne de Bretagne., Complainte sur la mort d'Anne de Bretagne (died in 1514)

de Bretagne. 10 large miniatures, in colours and gold (ff. 4v, 7v, 10, 13v, 18, 35v, 38, 40, 51v, 55v). 1 half-page miniature with the arms of Anne of Brittany, in colours and gold (f. 2v). 8 heraldic arms in

• Decorated initial 'S'(icut) at the beginning of the first text, and birds, oak leaves, acorns and crowned knight in armour in the margins., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical tracts (also

• Decorated initial 'D'(e) with pen-flourishing including an oak leaf, at the beginning of a list of the relics given to Waltham abbey by Harold and others., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical tracts (also

• Decorated initials with pen-flourishing in the 'Waltham Chronicle'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical tracts (also

• Decorated initial 'C'(um) with pen-flourishing. Arches drawn in the margin, possibly by William Howard in the early 17th century., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical tracts (also

• Text page., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• Text page., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• Decorated initial 'E'(t) at the beginning of the prologue. Partly defaced coat of arms of the Schioppo family of Verona in the margin., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• Detail of inscription., Domesday book (ends imperfectly)

'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,

• Text page of added miscellaneous documents, memoranda, and records of pensions or tenancies providing documentation of the villages around Evesham., Cartulary and Register of Evesham

it back whenever it could prove useful in a public trial, as recorded by Harley's librarian, Humfrey Wanley (see ff. 1 and 2; see Wright 1962; Wright and Wright 1966; Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661,

• In the lower margin, the ownership inscription of Margam abbey, at the beginning of the Domesday book., Domesday book (ends imperfectly)

'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,

• Flourished initials with records for Hertfordshire and Buckinghamshire in the Domesday book with small decorated initials., Domesday book (ends imperfectly)

'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,

• Marginal sketch in the lower margin, related to other marginal drawings in the manuscript, depicting royal and noble figures; with the ownership inscription Margam abbey in the upper margin., Domesday book (ends imperfectly)

'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,

• Coloured drawing of an English king in armour and tabard (William II), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (William II), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Henry I), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Henry I), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Stephen), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Stephen), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as

• Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known