pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,
gold with a large gold initial, and an unidentified coat of arms inserted in ink in the lower margin (1).1 large white vine initial in colours and gold (f. 73). 21 gold initials on coloured panels (ff. 4, 7v,
vine initial in colours and gold and a wreath designed for a coat of arms in the lower margin (f. 1). 9 large white vine initials in colours and gold (ff. 24, 48v, 69, 89v, 109v, 131v, 156, 179, 196).
putti, and an unidentified coat of arms, with a large initial in gold, and rubrics in gold and violet (f. 1). 9 large initials in gold on coloured panels at the beginning of each book (ff. 15, 24, 40, 49,
163v, the pen-flourishing extends into the margin. Smaller initials in red or blue with pen-flourishing in the other colour (f. 1 (x2)). Capitals marked with red mainly reserved for the openings with decorated initials (ff. 1-3, 14v-15, etc.). Catchword with
probably that of the Sassetti family, at the beginning of Ovid's Amores. f. 1 is a parchment leaf. Ending with Ovid's epitaph (ff. 50v-51).Leaf signatures. Large initial in gold on a blue panel at the beginning of each book (ff.
C, etc. Large initials in gold, outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue.
the beginning of Sallust's Cataline Conspiracy. 2 large decorated foliate initials, in colours and gold (ff. 1, 45v). Square capitals used as display script. Catilina (ff. 1-45v), Jugurtha (ff. 45v-134) ? Written by Gaspar of Verona (b. c.1400, d. 1474),
intial. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?
page. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?
Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials
ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij
for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around
for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating
also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating