in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,
in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,
in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,
of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to
of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to
of which are West Midlands manuscripts. Blake, N. and Robinson, P., ed, 1993. The Canterbury Tales Project: Occasional Papers , 1, Oxford: Office for Humanities Communication Publications, p. 95. Bowers, J. M., ed, 1992. The Canterbury Tales : fifteenth century