• Historiated initial 'P'(rimum) of the Ascension, at the reading for Ascension Day, with partial bar borders., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Puzzle initial 'F'(ratres) with pen-flourishing and decorated extension., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'F'(ratres) of the Resurrection of Christ, with a partial bar border, at the reading for Easter., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'F'(ratres) of Paul preaching to the Romans, with a full bar border, at the reading for the first Sunday in Advent, at the beginning of the Epistolary., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Detail of miniature of knights and ladies riding to a London tournament., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

with red pen-flourishing. Line fillers decorated in gold and blue. Cadels. Capital letters highlighted in yellow. Chroniques, Vol. IV, part 1 (the 'Harley Froissart') Philippe de Commynes (b. 1447, d. 1511), statesman and chronicler: his added arms, quartered with those

• Historiated initial 'F'(ratres) of the Trinity, at the reading for Trinity Sunday, and an historiated initial 'F'(ratres) of the Last Supper, at the reading for Corpus Christi, with partial bar borders., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Headpiece and decorated initial at the beginning of the text., Commentary on Plato's Phaedo (index Scholia on Plato's Phaedo)

Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition

• Decorated initial 'P'(ascales) at the beginning of Sedulius's Carmen paschale, with simple red decoration in the bowl of the letter., Carmen paschale, and related material, including the Epistola ad Macedonium, and Hymnus I, and a list of contents

24v, for a list of contents of the composite manuscript; inscribed ‘Seduli(us) & p(ro)sp(er). Glosati’ in a formal script (f. 1, top margin; the Prosper is now Burney 344). Simple red or green initials, some decorated with the other colour

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Detail of decorated initials. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added a table of contents at the end (ff.

• Ink diagram of the Nativity., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Genealogical diagram, ink drawing of sword and decorated initial C., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of a castle., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of coat of arms of Henry II with 3 lions passant gardant, crest and lion crowned and of crown and sceptre., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Decorated initial 'F'(ata) at the beginning of the text., Laurentias carmen

Decorated initial 'F'(ata) at the beginning of the text. ff. 244v-245 are written in Filelfo's hand, the rest of the manuscript was written in a different hand, but annotated by Filelfo.Catchwords. Leaf signatures.For another autograph manuscript by Filelfo, see

• Detail of a drawing of the constellation Aries, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Detail of a drawing of the constellation Aries, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De

• Detail of a drawing of the constellation Aquarius, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Detail of a drawing of the constellation Aquarius, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De

• Detail of a drawing of the constellation Pisces, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Detail of a drawing of the constellation Pisces, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De

• Detail of a drawing of the constellation Saggittarius, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Detail of a drawing of the constellation Saggittarius, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De

• Detail of a drawing of the constellation Capricorn, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Detail of a drawing of the constellation Capricorn, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De

• Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He