• Text page., Orationes

foliation. 1 half-page miniature with a man standing before an assembly of ?lawyers, a scribe writes down the proceedings (f. 1). Large decorated initials (including ribbon initials) in colours and sometimes gold with foliate decoration or flowers (ff. 1, 23v,

• Decorated initial 'C' and medallion with white vine decoration enclosing erased heraldry in lower border., Epitome historiarum Pompeii Trogi

unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. 1 medallion with white vine decoration enclosing erased heraldry in the lower border (f. 1). Initials in gold and colours with white vine decoration marking the beginning

• Detail of a miniature with a man standing before an assembly of ?lawyers, a scribe writes down the proceedings, decorated initial 'Q'(uanquam) with foliate decoration., Orationes

foliation. 1 half-page miniature with a man standing before an assembly of ?lawyers, a scribe writes down the proceedings (f. 1). Large decorated initials (including ribbon initials) in colours and sometimes gold with foliate decoration or flowers (ff. 1, 23v,

• Detail of a miniature of a judge and a court in session., Orationes

foliation. 1 half-page miniature with a man standing before an assembly of ?lawyers, a scribe writes down the proceedings (f. 1). Large decorated initials (including ribbon initials) in colours and sometimes gold with foliate decoration or flowers (ff. 1, 23v,

• Map of the earth surrounded and divided by the ocean into two hemispheres with two uninhabitable zones at the extreme north and south., Commentary on Cicero's Somnium Scipionis, fragment

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘20 die mensis Octobris, A.D. 1725’ (ff. 1, 16, 28, 44, 75, 83). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694,

• Miniature of the Nativity; text with borders., Ab urbe condita [periochae] (index De gestis romanorum; Historia romana)

three-sided border in colours and gold; partly erased coat of arms enclosed in a wreath in the lower border (f. 1). Initials in gold on a blue, dark red and green ground (ff. 11, 17, 25, 31v, 41v, 48, 53v,

• Detail of a diagram of the eight winds at Book I, vi, 12., On Architecture (De architectura)

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘6 die Mensis Augusti, A.D. 1724’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Cross and the ownership inscription of Goderamnus, 'prepositus' of the abbey of St. Pantaleon, Cologne., On Architecture (De architectura)

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘6 die Mensis Augusti, A.D. 1724’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Canon table., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

Canon table. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or foliate patterns,

• Miniature of Heloise addressing her pupil, and a group of women, with a full border containing the Yorkist motto 'Dieu et mon droit', an ostrich feather with a motto 'Ic dene', a crowned Beaufort's badge of a portcullis, and a red rose of Lancaster supported by a white greyhound and a red dragon; and an illuminated initial 'T'(ous) with a fleur de lis., Poems; Art d'amour; Les demandes d'amour; Le livre dit grace entiere sur le fait du gouvernement d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of Heloise addressing her pupil, and a group of women., Poems; Art d'amour; Les demandes d'amour; Le livre dit grace entiere sur le fait du gouvernement d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of the red rose of Lancaster, with a hound and dragon, in the lower margin of the folio., Poems; Art d'amour; Les demandes d'amour; Le livre dit grace entiere sur le fait du gouvernement d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored

• Historiated initial 'D' of a saint (right centre)., Cuttings from a liturgical manuscript

were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored

• null, Historia adversus paganos (ff. 11-90), preceded by a chapter list (ff. 4-10v)

in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve penwork infill and flourishing, and

• Detail of a miniature of Nature appearing to the author, Jean de Courcy, in a dream and showing him the lady Vaillance, at the beginning of book 1., Le chemin de Vaillance, and other texts (see Notes below for contents)

red and blue, surrounded by the Garter (ff. 1, 77, 194, 250), with two escutcheons bearing the royal arms differenced by labels of three or five points for his sons (f. 1), and a lozenge bearing a white rose of

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were