• Detail of a miniature of Calchas mounted on the brazen horse., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of the Trojan Horse at the gate of Troy., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Greek tents being overthrown by a storm., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• A dismembered montage of a section of foliate border with a cameo of a male bust in profile (f. 5b; 35 x 155 mm) and two cuttings in gold (f. 5a; 35 x 15 mm; f. 5c, 35 x 10 mm) (at top of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border with flowers, acanthus leaves and trompe l'oeil gems in a roundel, measuring 30 x 205 mm., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate border with a seated stag in a roundel, birds, trompe l'oeil gems, flowers and acanthus leaves (f. 8b; 80 x 180 mm), and two cuttings in gold inscribed in capitals 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 8a, 80 x 15 mm) and 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 8c; 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate and historiated border with Christ blessing in a roundel, trompe l'oeil gems, an anthropomorphic grotesque and flowers (f. 11a; 245 x 30 mm), and cuttings in gold (f. 11b, 10 x 30 mm; f. 11c, 10 x 30 mm). On the reverse of f. 11a are bezants., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate border with an anthropomorphic grotesque, urns, trompe l'oeil gems, and flowers (f. 12a; 245 x 35 mm), and cuttings in gold (f. 12b, 10 x 35 mm; f. 12c, 10 x 35 mm). On the reverse of f. 12a are partial letters., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate and historiated border with a trompe l'oeil medallion of the ?Presentation in the Temple, the Christ Child stands on an altar inscribed 'DI / S V / N S / ?B', measuring 240 x 30 mm (at left of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate and historiated border with a trompe l'oeil medallion of the 'Judea Capta' with a Roman soldier and a weeping female figure seated beneath a tree, trompe l'oeil gems, and an anthropomorphic grotesque, measuring 245 x 35 mm (at right of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border with a lozenge inscribed 'Antoniottus / Pallavicinus / Cardinalis / San / Cte Praxedis', measuring 360 x 60 mm (at centre of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border, measuring 240 x 35 mm (at left of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate and historiated border with a seated deer in a roundel, anthropormophic grotesques, trompe l'oeil gems, vases, flowers and birds, measuring 350 x 40 mm (at right of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border, measuring 240 x 35 mm (at right of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• Part of a foliate initial ?'U', measuring 40 x 25 mm. On the reverse partial text reading '..?ut/...cat /...nite' (at right of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• Part of an inverted (see text on reverse) foliate initial ?'O', measuring 40 x 20 mm. On the reverse partial text reading '[illegible, cropped] /...er: t./... :ut' (at left of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• Detail of a miniature of the quartered arms of Percy and Lucy flanked by initials 'HP', accompanied by badges of crescent and shackle-bolt, and encircled by the Garter., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a portrait of Plato sitting at his writing desk., Opera

55v, 66v, 72v, 86, 98, 109v, 126v, 139v, 154, 168v, 196, 208, 215, ). 1 large initial in the same style without a decorative extension (f. 1). Numerous smaller initials in gold on panels ornamented with white vine and colours.

• Detail of an illuminated initial 'Q'(uum) on a panel ornamented with white vine decoration., Opera

55v, 66v, 72v, 86, 98, 109v, 126v, 139v, 154, 168v, 196, 208, 215, ). 1 large initial in the same style without a decorative extension (f. 1). Numerous smaller initials in gold on panels ornamented with white vine and colours.

• The beginning of the table of contents with illuminated initials on panels ornamented with white vine decoration., Opera

55v, 66v, 72v, 86, 98, 109v, 126v, 139v, 154, 168v, 196, 208, 215, ). 1 large initial in the same style without a decorative extension (f. 1). Numerous smaller initials in gold on panels ornamented with white vine and colours.