• Calligraphic initial 'T'(enor)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Blank page., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Historiated initial 'S'(ub) of the Virgin and Child, at the beginning of a motet to the Virgin by Benedictus de Opitiis., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Illuminated initial 'Q'(uam) with a red rose and a butterfly., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Text page with musical notation., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Illuminated initial with a red rose., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Text page with musical notation., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Illuminated initial 'B'(eati)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Illuminated initial 'E'(cce)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Blank page., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• A section of foliate border with a lozenge made up of Medicean ~bronconi~ inscribed 'GLO / VI / S' (at left of image)., Cutting from a de' Medici manuscript, probably of Leo X

8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. 1 section of foliate border in colours and gold, with a lozenge made up of Medicean ~bronconi~ inscribed 'GLO /

• Detail of a miniature of the Swiss burning their villages., Commentaires de la Guerre Gallique

21v, 23, 31v, 33v, 36v, 43, 53, 60). 2 portrait roundels in semi-grisaille (f. 3 (x2)). 1 small miniature in semi-grisaille (f. 5v). 1 small initial in gold on a brown ground, at the beginning of the ~registre~ (f. 73).

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of God the Father, initial 'M'(on) and foliate border, at the beginning of the prayer Mon benoist dieu., Added prayer, Mon benoist dieu

border, at the beginning of the prayer Mon benoist dieu. 1 small miniature with a large initial in gold on a red ground and a partial foliate border, in colours and gold (f. 19). All text pages with partial foliate

• Illuminated letters., Gospels, with prologues, and capitula (ff. 227-241)

birds (ff. 9-12v). Large initials in gold with a red outline (ff. 1, 4, 6v, 7v, 13, 18v, 75, 78v, 113, 120v, 183, 186). Headings in gold, some with an outline in red or in red. Small initials and numbers

• Miniature of John, at the beginning of the Gospels., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of the Virgin and Child, decorated initial 'O'(bsecro) and foliate borders, at the beginning of the prayer Obsecro te., Book of Hours, Use of Paris

Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '28 April 1721.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of Job on the dungheap, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Hours of the Dead., Book of Hours, Use of Paris

Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '28 April 1721.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Illuminated initials., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during