• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Puzzle initial 'N'(emo) at the beginning of Jerome's prologue to Isaiah, with John Lumley's ownership inscription in the lower margin., Isaiah, Jeremiah, Daniel with Jerome's prologues and the Glossa ordinaria

puzzle initials in red and blue with red and blue pen-flourishing. Smaller initials in red with blue pen-flourishing or penwork decoration, and in blue with red pen-flourishing or penwork decoration. Paraphs in red or blue. Isaiah, Jeremiah, Daniel with Jerome's

• Historiated illuminated initial 'L'(iber) at the beginning of Matthew, with an evangelist portrait of a seated Matthew writing., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue

• Decorated initials 'P'(aulus) at the beginning of Titus and of Philemon., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue

• Initial 'D' with foliate decoration., Orationes; Anonymous prayers; De animae, Sententiae

initial (f. 106v). Large initial in red with penwork decoration in red, green and blue (f. 3). Initials in red, blue, green, brown or red and blue, some with penwork decoration in colours. Rubrics and page numbers in red. Orationes;

• Pen-flourished initial 'F'(ides) at the beginning of the first book with the ownership inscription of Worcester Cathedral Priory., Summa aurea (Summa super sententias Petri Lombardi) with an imperfect table of rubrics (ff. 200 r-v)

est rerum sperandarum argumentum'. 3 puzzle initials in red and blue with pen-flourishing in the same colours (ff. 1, 22, 160). Initials in red with blue pen-flourishing and in blue with red pen-flourishing. Plain initials in red. Rubrics in red.

• Detail of an historiated initial 'A'(lpha) of a teacher giving a lecture to his students, at the beginning of book 1., Summa super titulis Decretalium

in pencil (ff. 43v, 247, 248). Puzzle initials in blue and red with red pen-flourishing, at the beginning of chapters. Initials in blue with red pen-flourishing throughout the text. Paraphs in blue or red. Summa super titulis Decretalium Perhaps written

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis, with the ink-stamp of the Royal Society in the lower margin., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio), and later, possibly seventeenth-century marginal notations., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil) with part of a list of chapters, at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio)., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,