• Historiated initial 'P'(aulus) of Paul with another man, at the beginning of Colossians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from Colossians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites Ambrose, the author whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with a monk and bishop, at the beginning of the First Letter to the Thessalonians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to the Thessalonians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites the author, Jerome, whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with Paul (in prison?) while a bishop (St Nicholas of Myra?) gives a bag of money or food to a beggar, at the beginning of Philemon. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to Philemon are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. Underscored phrases in the commentary are from the text, and the discussions on them follow. In the upper margin of the page, the red inscription is an abbreviation of 'Ambrose', citing the author whose writing is excerpted in the gloss., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Contents and ownership inscription that the manuscript was the property of the community of Friars Minor (Franciscans) at Oxford, given by Radulf, formerly bishop of Hereford (1234-1239). This was Radulf of Maidstone who became a Franciscan and joined the friars at Oxford after leaving Hereford., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) at the beginning of the first letter to the Corinthians, with Paul behind an altar distributing communion to a kneeling man while a woman looks on with upraised hands. In the commentary quotations from 1 Corinthians are underscored in red, with the commentary on those words following. In the upper margin are the names of Augustine and Ambrose, references to the writers whose works are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Illuminated initials 'P's at the beginning of the prologue and letter to the Galicians, with a dragon making up part of the letter, and Paul placing his hands on a man's shoulder while his wife and child look on. The red notes in the upper margins are references to the early Christian authors--Jerome, Ambrose and Augustine--whose writings the commentary excerpts. The biblical text is written in large letters on the left side of the columns, while the commentary, in smaller letters, is at the side, top and bottom. All around the margins are further schoolmasters' notes., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Illuminated initial 'P'(aulus) at the beginning of Ephesians, with Paul in prison and a guarding soldier in armour, and an animal in the letter. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose, Augustine, Jerome and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) with Paul praying and a man with a large club seizing a Jew, and a dragon in the letter form, at the beginning of Philippians. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with Paul crowning a knight, at the beginning of the Second Letter to Timothy. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to Timothy are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. The underscored phrases in the commentary are from the text, and the discussions on them follow., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'C'(onverte) with two men preparing beds, the dark blue background and a lamp with a red flame setting the scene at night, at the beginning of the Hours of the Virgin, the beginning of the prayers for Compline., Book of Hours, including Hours of the Holy Spirit and of the Passion

large 'KL' letters in gold on blue and red grounds (ff. 1-6v). Small initials in blue with red penwork decoration and pen-flourishing, or in gold with blue penwork decoration or pen-flourishing. Small initials in blue or gold. Line-fillers and diagonal

• Detail of marginal drawings., Libri Naturales, with extensive glosses

and blue. Running headers in blue, and red and sometimes gold, with penwork decoration, some in the form of heads. Paraphs in blue. Rubrics in while, red, or blue. Marginal diagrams in red, brown, and blue, with green and blue,

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'L'(iber) of the Tree of Jesse, at the beginning of Matthew., Gospels, with the Glossa ordinaria

135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue with pen-flourished descenders in red and blue. Running titles and chapter numbers in red and blue. Gospels, with the Glossa

• Foliate initial 'L'(ucas), at the beginning of the prologue to Luke., Gospels, with the Glossa ordinaria

135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue with pen-flourished descenders in red and blue. Running titles and chapter numbers in red and blue. Gospels, with the Glossa

• Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the