• Initial 'N'(ow) with pen-flourished decoration., 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of oure Lorde' (ff. 84-91v); King Robert's romance in couplets (ff. 92-95)

a third hand. 5 initials in gold with penwork decoration in purple (ff. 1, 20v, 57, 63, 75). Initials in blue with pen-flourished decoration in red. Rubrics and marking of verse couplets in red. Initials highlighted in red. 'Handlyng Synne'

• Inscription recording that the manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum capientib[us]/ quem qui alienaverit anathema sit'; with the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].', Sanctilogium

marginal extensions, some with dragons or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

initial in brown ink with foliate decoration highlighted in yellow (f. 48). Small initials in red with purple penwork decoration; blue penwork decoration only on f. 4. Highlighting of letters in yellow. Contemporary maniculae, highlighted in yellow (e.g., ff. 6v,

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

initial in brown ink with foliate decoration highlighted in yellow (f. 48). Small initials in red with purple penwork decoration; blue penwork decoration only on f. 4. Highlighting of letters in yellow. Contemporary maniculae, highlighted in yellow (e.g., ff. 6v,

• Detail: initial-word panels decorated with pen-flourishing. The smaller one, ~shnei~ (two) is at the end of ~Hilkhot qinyan~, the chapter on purchase, and the bigger one is at the beginning of ~Hilkhot matanah~, the chapter on gifts., Fourth Book of ~Arba'ah Turim~: ~Hoshen ha-Mishpat~ ('The Breastplate of Judgment') on Civil Law and personal relations

third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from

• Detail: initial-word panel decorated with pen-flourishing, at the beginning of ~Hilkhot nahalot~, the chapter on inheritance., Fourth Book of ~Arba'ah Turim~: ~Hoshen ha-Mishpat~ ('The Breastplate of Judgment') on Civil Law and personal relations

third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from

• Detail of an historiated initial 'D' of David and the fool, at the beginning of the erased text of Psalm 52., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Historiated initial 'B' of David playing his harp, at the beginning of the erased text of Psalm 1., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Historiated initial 'D'(ominus) of the Nativity of Christ, with the border containing the Annunciation, the Annunciation to the Shepherds, and the head of Christ and three animals, at the beginning of Psalm 26., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Decorated initial 'A'(d te) with a partial bar border., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Historiated initial 'D' of David and the fool, at the beginning of the ersed text of Psalm 52., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Decorated initial 'S'(alvum) with a partial bar border., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Historiated border with standing figures and historiated initial ('D')., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Historiated initial 'S'(alvum) of David in the water, praying to God, with a full border including heads of Christ and four saints, at the beginning of Psalm 68., Psalter fragments

blue and rose grounds with penwork decoration in white, with foliate extensions. Initials in gold with purple pen-flourishing, or in blue or silver with red pen-flourishing. Line-fillers in blue, rose and gold with penwork decoration in white, or in

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of