• Text page., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a dragon from the top of the folio., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of Jean de Meun writing the opening words of his poem (which begins on f. 28), in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Three miniatures of Felony and Villainy, Coveriousness and Avarice, in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Historiated initial of two conjoined fish in gold, silver, and colours, and a portrait of Petrarch standing, with a decorated border with floral motifs in gold and colours, with pen-flourishing, and arms., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Decorated initial 'F' in gold and colours, and a decorated border with floral motifs in gold, silver, and colours., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Decorated border with floral motifs with the arms of the Calori of Modena, and a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Detail of a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Decorated initials 'Q'(uid) and 'U'(nde) with penwork decoration in Seneca's Hercules., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Hercules. Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules

• Text page written by Bartolomeo of San Gimigniano in 1387., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens

• Coloured initial 'E'(t) in Oedipus., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29),

• null, Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50),

• Detail of a miniature of the coronation of Henri of Trastamare and his queen at Burgos., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Detail of puzzle initial 'G'(aufridus de mandeville comes)., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Decorated initials with pen-flourishing at the beginning of book 4., Aeneid (index Aeneis)

book 6 of Justinian's Codex (late 14th-century, Italy) with initials in blue with red pen-flourishing and in red with purple pen-flourishing.f. 9 is a parchment leaf. Large initials in blue, blue-grey, red and/or ochre with pen-flourishing using the same colours