• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Initial-word panel with penwork decoration., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• Initial-word panels with penwork decoration and marginal drawing of a dragon., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• Initial-word panels and a horizontal band with penwork decoration., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Historiated initial with author portrait of Dante and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Illuminated initials., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Historiated initial with men in ship and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Historiated initial and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

colours and gold, at the beginning of each book (ff. 1, 35, 69). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785),

• Puzzle initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum., Epistola Ypocratis ad Alexandrum (ends imperfectly)

'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum. 1 large puzzle initial in blue and red with penwork decoration in red and blue (f. 1). 1 smaller initial with reserved designs (f. 4). Small initials in plain red.

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of miniature., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of

• null, Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration consists of