• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initials., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Puzzle initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum., Epistola Ypocratis ad Alexandrum (ends imperfectly)

'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum. 1 large puzzle initial in blue and red with penwork decoration in red and blue (f. 1). 1 smaller initial with reserved designs (f. 4). Small initials in plain red.

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of miniature., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Illuminated initial, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• null, Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

• Illuminated initial 'A'(tt) at the beginning of the prologue to the Squire's tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Text page from the Miller's Tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Detail of initial 'A'(t)., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or