• Historiated initial 'C'(ome) of king Edward III, crowned with a scepter on a throne, at the beginning of the first statute of Edward III., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

in red and blue, with a bar and foliate extensions in gold (f. 223). Large initials in gold on blue and red grounds, with foliate extensions in red and blue or in gold. Paraph marks in blue with red pen-flourishing,

• Decorated initial 'R'(ichard), at the beginning of the first statute under the government of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

in red and blue, with a bar and foliate extensions in gold (f. 223). Large initials in gold on blue and red grounds, with foliate extensions in red and blue or in gold. Paraph marks in blue with red pen-flourishing,

• Illuminated initial 'I'(hesu) with a partial bar border and floral extensions., Floretum evangelicum (ff. 1-334) (a list of theological commonplaces, arranged alphabetically) with a table of contents (ff. 1-6).

'A'(bsolutio) in gold, red, and blue (f. 7). 1 large initial 'I'(hesu) in gold, red, and blue with a partial bar border and floral extensions (f. 1). Smaller initials in gold on red and blue grounds with floral sprays, at

• Smaller drawing from a text on the Song of Songs., Theological texts including a commentary on the Song of Songs (ff. 3-79v)

80). 5 large initials in red, blue or green, with a reserved line or penwork decoration in violet, blue, green and/or red (ff. 3, 4v, 33, 83, 91). Numerous small initials in green or blue, one in red (f. 3).

• Puzzle initial 'H'(ere) and full border., Lectionary, in the earlier Wycliffite version

1 puzzle initial in red and blue, with pen-flourishing in purple and red, extending in a full border in red and blue (f. 2). Small initials in blue with red pen-flourishing. Paraph marks in blue. Decorated catchwords. Lectionary, in the

• Decorated initial 'KL', accompanied by a bar developing foliate extensions with a dragon, at the beginning of August in the Calendar., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Diagrams of the eclipse of the moon., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Calendar page with illuminated initials., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Initial 'P'(andere) with penwork decoration., Doctrinale (ff. 3- 62) with a commentary

very large initial in red with blue and red penwork decoration (f. 29). Large initials in red with blue penwork decoration or in blue with red penwork decoration. Smaller initials in red or blue, some with simple penwork decoration. Initials

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initials., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of miniature., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Illuminated initial, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• null, Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

• Illuminated initial 'A'(tt) at the beginning of the prologue to the Squire's tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or