• Foliate initial 'A'(nd)., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'O' with foliate border., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Text page from the Merchant's Tale., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Detail of a drawing of a young esquire., Pharsalia

initials in yellow set against blue, purple and yellow backgrounds possibly painted over or added later into blanks (ff. 3, 31v, 47, 63v, 79v, 96v, 114, 131v, 153v). Large puzzle initial in red and blue with pen-flourishing in red and

• Decorated initial 'D'(omino) at the beginning of a dedicatory epistle of Gilbert Foliot, bishop of London to Robert, bishop of Hereford., Commentary on the Song of Solomon

initial in red and blue with penwork decoration in green, yellow and blue, at the beginning of the preface (f. 4). Smaller initials in red with penwork decoration in blue, yellow, and/or green, or in blue with penwork decoration in

• null, Glossed Digestum Novum

Large blue initials with red pen-flourishing, in the text. Small blue initials with red pen-flourishing, in the glosses. Small initials in red with blue pen-flourishing, in the text and in the glosses. Paraph marks in plain red or blue. 3

• Blue initial 'S'(oror) with red penwork decoration at the beginning of the first tragedy, 'Hercules Furens' ('The Madness of Hercules')., Tragoediae (index Tragedies)

crenellated building (f. 148v). 1 large initial in blue with red penwork decoration (f. 1). 9 large blue initials (f. 22v, 53, 76, 95v, 117, 136v, 156, 175, 213). Smaller alternating blue or red initials. Rubrics, incipits, explicits, and protagonists'

• Historiated initial 'C' with the portrait of the poet playing the lute., Pharsalia

initials in yellow set against blue, purple and yellow backgrounds possibly painted over or added later into blanks (ff. 3, 31v, 47, 63v, 79v, 96v, 114, 131v, 153v). Large puzzle initial in red and blue with pen-flourishing in red and

• null, Register book of the Fraternity of Corpus Christi, York

extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ...

• Miniatures of an antelope with its saw-shaped horns entangled in tamarisk being killed by a hunter, and below, a unicorn lured into a woman's lap being killed by a man with a spear., Bestiary

is a 'Second Family' bestiary; see James; Payne p. 15. Numerous (112) miniatures in brown, green, and red, on alternately blue and red backgrounds. Small initials in red. Bestiary Thomas Rawlinson (b. 1681, d. 1725), book collector; his binding.Sir Hans

• Miniature of a man in bed with a caladrius bird on his chest., Bestiary

Family' bestiary; see James; Payne p. 15. Numerous (112) miniatures in brown, green, and red, on alternately blue and red backgrounds. Small initials in red. Bestiary Thomas Rawlinson (b. 1681, d. 1725), book collector; his binding.Sir Hans Sloane (b. 1660,

• null, Château d'Amour, called 'The Myrour of Lewed Men' (translated into English)

initials in blue with red foliate pen-flourishing. Château d'Amour, called 'The Myrour of Lewed Men' (translated into English) ? Sawley Abbey, York: the translator calls himself a 'munke of Sallay' (f. 1). Bought by the British Museum from J. H.

• Decorated initial 'I'(n ye) wit a full border, at the beginning of Genesis., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• Detail of an pen-flourished initial 'I'(ou)., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• Detail of the left-hand column of the folio with two pen-flourished initials., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• Detail of a decorated initial 'I'(n) at the beginning of Esther., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• Foliate Initial 'T'(he book) with a full border, at the beginning of Matthew., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• Miniature with the Crucifixion, and historiated initial with God supporting the dead Christ, with a full foliate border., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Miniature of the Crucifixion, historiated initial with God supporting the dead Christ, and miniature with the Virgin and the kneeling owner in prayer, with full foliate borders., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Miniature with Cornelius and Cyprian., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner