• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th century (f. 3v).

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Illuminated historiated initial 'U' at the beginning of Leviticus, showing Aaron(?), dressed as a thirteenth-century priest, sacrificing a sheep on an altar, watched by similarly dressed Israelites., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul handing the book to the messenger Phebe at the beginning of Romans., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial at the beginning of Luke, with Luke shown writing, with the head of his symbol, an ox, and an illuminated initial below of Zacharias censing the altar (Luke 1:9)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul in prison, giving a scroll to a messenger, at the beginning of Philippians., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• White vine initial 'P'(ublium) in gold, red, green and blue, with a gold dragon's head., De legibus

in gold, red, green and blue, with a gold dragon's head. f. 1* is a parchment leaf inscribed: 'Opera Tullii Philosophica'.f. 60 is a blank parchment leaf.The Greek text is in the scribe's own hand.The manuscript dates to c. 1416-1420

• White vine initial 'S'(ed)in gold, red, green and blue., De legibus

gold, red, green and blue. f. 1* is a parchment leaf inscribed: 'Opera Tullii Philosophica'.f. 60 is a blank parchment leaf.The Greek text is in the scribe's own hand.The manuscript dates to c. 1416-1420 and was written by Johannes Andreae

• Decorated initial 'C'(reacio) of the arms of St. Albans abbey, surrounded by an inscription 'Beauer / ab aduersis / Albon tueatur / in armis', with a full foliate border., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

the beginning of the colophon and major text divisions (ff. 1v, 2, 79, 231). Initials in blue with red pen-flourishing. Paraphs in red or blue. Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord

• Illuminated initial 'A'(brahe) with John's Beaver initials, 'IB', and a partial border., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

the beginning of the colophon and major text divisions (ff. 1v, 2, 79, 231). Initials in blue with red pen-flourishing. Paraphs in red or blue. Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord

• Illuminated initial 'O'(mnis) with John's Beaver initials, 'IB', and a partial border., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

the beginning of the colophon and major text divisions (ff. 1v, 2, 79, 231). Initials in blue with red pen-flourishing. Paraphs in red or blue. Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord

• Miniature of animals in council debating as to which is the best pattern of wisdom; the beasts choose a fox, and the birds choose a raven, at the beginning of Chapter 3 of Book 1., Spiegel der Weisheit

99v, 102, 105, 107v, 109v, 112, 114v, 118, 119v, 121v, 122, 124, 127). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. The first miniature is in two parts, the left half is coverd by a