• Drawing of a battle between mounted knights., Chanson d'Aspremont, imperfect

45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow and/or blue, often of knights on horseback in combat. Small simple initials in red or green. Chanson d'Aspremont, imperfect William Petty

• Miniature of a battle at the beginning of Book 2., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Manuscripts of the West Midlands

'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia