• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Puzzle initial 'N'(umquid) with pen-flourished decoration at the beginning of 'Ordinarium sive Alphabetum vitae religiosae'., Opera (index Works), imperfect at the end

initials in blue and red with pen-flourished decoration in blue and red. Initial in red with pen-work decoration in green (f. 168). Initials in blue or red with pen-flourished decoration in red or ink. Paraphs in red, blue and green.

• Decorated initial 'P'(hoebe) in Horace's Epodes., Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare (ff. 94-95v); preceded by a Life of Horace attributed here to Petrus Crinitus (ff. 1-4)

gold, or green (ff. 1, 5, 27, 41, 65, 79, 94). Small initials in gold on a square field of blue, red, purple, green, or gray (ff. 6, 7, 8, etc.). Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare

• Detail of decorated initial., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii Metamorphoseon fabularum narratio, and other mythological texts ‘Mithologeiarum liber feliciter finit anno

• Detail of heraldry., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii Metamorphoseon fabularum narratio, and other mythological texts ‘Mithologeiarum liber feliciter finit anno

• Detail of miniature of John writing, with his symbol, the eagle, warding off a winged demon behind him., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of miniature of an enthroned Matthew the Evangelist writing, dipping his quill into a pot of ink held by his Evangelist symbol, a young winged man., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a miniature of the Annunciation, with the archangel Gabriel arriving from the right, holding a scroll on which is inscribed a message, with the Virgin Mary kneeling with an open book to the left, in prayer., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of the Annunciation, with an historiated initial 'D'(omine) and a full foliate border with five scenes taken from the Hours of the Virgin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of miniature of the Crucifixion, with Christ at the centre and two others, one on each side, crucified alongside him, with a skull and bones at the bottom of the Holy cross., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a miniature of the Pentecost, with an enthroned Virgin Mary sitting in prayer with a book open on her lap, eleven nimbed figures surrounding her wearing brightly coloured robes and the Holy Spirit above., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a miniature of a baptism taken from one of five margin scenes, in which water is poured over the infant child's head at the centre, surrounded by four other figures and the Holy Spirit above., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Double page with left, a text page with illuminated initials and a full foliate border and right, a miniature of the Office of the Dead, with a large historiated initial 'D'(ant) and a full foliate border with five marginal scenes., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine