• Detail of a small miniature, from the right margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the right margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a small miniature, from the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of Margaret of Antioch emerging from the satan-disguised-dragon, holding the cross which enabled her freedom between hands in prayer, with an illuminated initial 'E'(rat) and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of the martyrdom of Apollonia, at the beginning of her suffrage. Two attendants in turbans extract her teeth with pincers whilst man with a crown looks upon, with an illuminated initial 'B'(eata) and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page with illuminated initial and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page with illuminated initials and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a map of Scotland., Chronicle of Britian to Henry VI (1st version)

gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with

• Detail of a map of Scotland., Chronicle of Britian to Henry VI (1st version)

gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with

• Detail of inscription., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Decorated initial 'P'(ost), with the book number in the upper margin. Citations of the Gospel are marked with their first letters in red (contrasting with green for sections of the commentary) and a diplet in the margin by each line., In Lucam

part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Miniature of the Pentecost, with a large historiated initial 'D'(omine), and five scenes in the margins each involving the Holy Spirit, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine