• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of David, at the beginning of the Penitential Psalms., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Crucifixion of the 11,000, at the beginning of a prayer., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Illuminated border and initial. The brown ink inscription in the top right corner is a Durham cathedral press-mark., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initials with pen-flourishing with trefoils or spiky holly-leaf shapes., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial 'D' and partial border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Text page., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Historiated initial 'C'(onfessionum) with Augustine., Confessions

or blue, with red penwork decoration in the bowl with yellow and green infill, on gold grounds (ff. 2, 11, 99). 2 large puzzle initials in gold and blue with red pen-flourishing (ff. 31, 58v). 6 smaller initials in blue,

• Decorated initial 'M'(ulta) with leaves., Confessions

or blue, with red penwork decoration in the bowl with yellow and green infill, on gold grounds (ff. 2, 11, 99). 2 large puzzle initials in gold and blue with red pen-flourishing (ff. 31, 58v). 6 smaller initials in blue,

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Illuminated foliate initial and full border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial 'A' with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial with extension forming a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Detail of historiated initial of Augustine., Confessions

or blue, with red penwork decoration in the bowl with yellow and green infill, on gold grounds (ff. 2, 11, 99). 2 large puzzle initials in gold and blue with red pen-flourishing (ff. 31, 58v). 6 smaller initials in blue,