• Damaged miniature., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• null, Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initials and border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• Decorated initial 'M'(agnus) with flowers., Confessions

or blue, with red penwork decoration in the bowl with yellow and green infill, on gold grounds (ff. 2, 11, 99). 2 large puzzle initials in gold and blue with red pen-flourishing (ff. 31, 58v). 6 smaller initials in blue,

• Large initial 'B'(eatus) with knotwork and foliate motifs, animal heads, and masks., Commentary on the Psalms

on a blue and red ground (f. 2v). 3 initials in green, blue and red, in blue and green or in red and blue, two with penwork decoration (ff. 48v, 90v, 145). Numerous initials in red, green or blue, one

• Decorated initial 'D'(eus) enclosing a star with partial ivy border at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Table of Virtues in the form of a tree, with coats of arms, a partial rinceaux border, and two wild men wielding clubs., Ethica (index Ethics); De quatuor virtutibus (index On the Four Virtues)

119). Initials in red and blue with red and black pen-flourishing and penwork decoration (ff. 12, 21v, 33v, 46, 58v, 67, 80v, 92v, 104v). Smaller initials and paraphs in blue or red. Running headers in blue and red. Rubrics in

• Miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand, with English captions., Miscellany with various astronomical, calendrical, medical, and philosophical texts

initial in red and blue with red and blue pen-flourishing (f. 33). Large initials in blue with red pen-flourishing or in red with blue pen-flourishing. Smaller initials in blue with red pen-flourishing and in red with blue pen-flourishing. Rubrics, paraphs,

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• Pen-flourished initials in blue. This colour combination is typical of English manuscripts: on the Continent one would usually find blue initials alternating with red ones, each with penwork flourishing in the opposite colour., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• Partial border (the iniital excised) with hybrid bird-headed figure holding a shield and club; a bird(?) in the lower margin., Comedies, preceded by prologues and arguments: Andria (ff. 1v-21v), Eunuchus (ff. 22-45v), Heauton timorumenos (ff. 46-68v), Adelphoe (ff. 68v-89), Hecyra (ff. 89-108), Phormio (ff. 108-130)

at the beginning of the first comedy. Large initials in blue with flourishing predominantly in red, or vice versa, to each subsequent comedy. Small initials alternately plain red or blue. Comedies, preceded by prologues and arguments: Andria (ff. 1v-21v), Eunuchus

• Illuminated intial 'T'(ityre) with flowers and small gold balls extending into the margin, at the beginning of Virgil's Eclogues., Bucolica (index Bucolics, Eclogues)(ff. 1-15), Georgica (index Georgics)(ff. 15v-53v), Aeneis (index Aeneid) (ff. 55v-228v)

1, 55v). Large initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green and yellow infill. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Square capitals used as display script. Bucolica

• The last page of the text, with a verse added by an unidentified sixteenth-century reader: 'Virginis intacte cum veneris ante figuram/ Pretereundo cave. ne sileatur ave'., De amicitia

cum veneris ante figuram/ Pretereundo cave. ne sileatur ave'. 1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the text is

• Illuminated intial 'T'(ityre) with flowers and small gold balls extending into the margin, at the beginning of Virgil's Eclogues., Bucolica (index Bucolics, Eclogues)(ff. 1-15), Georgica (index Georgics)(ff. 15v-53v), Aeneis (index Aeneid) (ff. 55v-228v)

1, 55v). Large initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green and yellow infill. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Square capitals used as display script. Bucolica

• null, De amicitia

1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the text is added 'Virginis intacte cum veneris ante figuram/ Pretereundo cave.

• Calendar page for September, on the left, and for August (bound upside down) on the right., Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

of which 10 are in the British Library: see Carey 2003. Large 'KL' letters in blue with red penwork decoration. Small initials in red or blue. Tables with words in red. Almanac, with a calendar, and tables for the calculation