• Musical notation., Music and carols for Holy Week (begins and ends imperfectly)

initials in red and blue with foliate pen-flourishing in blue and red, with scrolls in the bowl or in the margins (ff. 15, 20). Large and smaller initials in red with green foliate pen-flourishing or in blue with red foliate

• Decorated puzzle initial 'P'(assio) in a three-part setting of the title and crowd parts of the Luke Passion., Music and carols for Holy Week (begins and ends imperfectly)

initials in red and blue with foliate pen-flourishing in blue and red, with scrolls in the bowl or in the margins (ff. 15, 20). Large and smaller initials in red with green foliate pen-flourishing or in blue with red foliate

• Decorated initial 'A'(nno) with pen-flourishing including ivy leaves., Chronica pontificum et imperatorum

Large puzzle initials in red and blue with pen-flourishing in the same colours including ivy leaves (ff. 1, 8v, 29v). Numerous smaller initials in blue with red pen-flourishing. Paraphs in alternating red or blue. Capitals marked in red ink. Chronica

• Puzzle initial 'C'(ome) with pen-flourishing forming a three-sided border, at the beginning of the text., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for the reign of Edward III (r. 1327-1377) (ff. 1-78v), Richard II (r. 1377-1399) (ff. 79-118v), Henry IV (r. 1399-1413) (ff. 119-145), Henry V (r. 1413-1422) (ff. 145-165), and up to the 20th year in the reign of Henry VI (r. 1422-1470) (ff. 166-223v)

blue and red with pen-flourishing in the same colours extending into the margin to form a three-sided border (ff. 1, 79 and 119 (with purple)). Numerous initials in blue with red pen-flourishing including foliate motifs. Paraphs in red or

• Detail of a miniature of a monk (or a canon) enthroned, with two monks on either side, at the beginning of causa 28., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a monk or a canon as judge separating a husband and wife holding a baby, at the beginning of causa 30., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a marriage, at the beginning of causa 31., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a marriage with a couple kneeling and a priest celebrating a mass, at the beginning of causa 32., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a judge with a man and a woman before him, at the beginning of causa 33., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of judge with a pilgrim and a man and a woman before him, at the beginning of causa 34., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a bishop as judge with a man and a couple with two children before him, at the beginning of causa 35., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a man and a woman at a feast, at the beginning of causa 36., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of two priests celebrating masses, at the beginning of part III, 'De consecratione'., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• The arms of René d'Anjou, King of Naples., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Puzzle initial 'I'(n) with pen-flourishing at the beginning of the text., Dialogus

seems to be missing a leaf. Puzzle initial in red and blue with pen-flourishing in both colours (f. 3). Coloured initials in red or blue. Paraphs in red or blue. A few descenders and catchwords decorated with brown ink including

• Decorated initial 'W'(han) with pen-flourishing., The Consolation of Philosophy (index De consolatione philosophiae), in English verse with the Latin text in the margin (ending imperfectly) and other texts (see notes)

initial in red and blue with red pen-flourishing (f. 4). 4 large initials in blue with red pen-flourishing at the beginning of each book (ff. 17, 33, 59, 74v). Small coloured initials in red or blue throughout. The Consolation of

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration