Your search found 1992 results in 1 resource
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with
Initials in red with blue pen-flourishing or in blue with red pen-flourishing (initials in gold with blue pen-flourishing or in blue with red pen-flourishing, f. 73v), at the beginning of other Psalms. Initials in red or blue at the beginning
ff. 2v, 49v, 57v, 99v, 102, 108v, 132, 132v, etc.), or with simpler blue pen-flourishing (from f. 141). Paraphs in red or blue. Line-fillers in red and/or blue, often in the shape of a fish (e.g., ff. 2v, 11). Livre
Mark. Catchwords, pricking. 'Champ' initials in gold on blue and rose backgrounds with penwork decoration in white and foliate decoration with green washes and gold, at the beginning of books. Small blue initials with red pen-flourishing throughout the text. New
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in
are of parchment.Leaf signatures. Catchwords written horizontally. Puzzle initial in blue and red with pen-flourishing in the same colours framing the text (f. 1). 7 initials in red or blue with pen-flourishing in the other colour (ff. 20v, 51v, 52v,
Text and pen-flourished initial 'I'(ntendimus). Annotated by medieval readers. Initials in blue or red with pen-flourishing. Paraphs in blue or red. Rubrics in red. Marginal pen sketches of human faces or profiles (ff. 5, 11, 28, 34, 35v). Commentaries on
floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert
leaves.Vertical catchwords in the inner margin. 4 large initials in red, yellow, blue, and green with foliate motifs (pp. 1, 18, 38, 60). Smaller plain initials in blue and red. Rubrics in red. Epitoma de Tito Livio (index Epitome of
floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert
‘calidus’, ‘aer’, ‘humidus’, etc. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).
'380' in Twysden's handwriting. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).
large blue initial with later added foliate decoration, and an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at