• Illuminated initial 'A' with a duck and bird, and puzzle initial 'I' at the beginning of Psalms., Catalan version of the Old Testament (Genesis to Psalms)

257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Historiated initial with God in Majesty, and roundels of the days of Creation in the margins., Catalan version of the Old Testament (Genesis to Psalms)

257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple

• Decorated initial 'S'(epe), pen-flourished initial 'h'(ec), and a coat of arms of a white unicorn on a blue shield., Tractatus maleficiorum (a treatise on criminal law)

coat of arms of a white unicorn on a blue shield. Vertical catchwords.Ruled in plummet.The lawyer and professor, Angelo Gambiglioni, died in October 1461. His date of birth is unknown. On his life and work, see Maffei and Maffei 1994.The

• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• White vine border with a portrait of Horace in a roundel, two putti, an unidentified coat of arms, and a large white vine initial 'M'(ecenas)., Opera

beginning of each book (ff. 15, 24, 40, 49, 60v, 76, 92v, 107v, 115). Numerous initials in alternating red and blue. Rubrics in red. Opera Written in Ferrara in 1461: inscribed: 'Quinti Horatii Flacci, Venusini, Odarum, Sermonum, Epistolarum, Poetrieque carminum

• Illuminated initial 'P'(hilopolus)., Poems (index Poemata); Laphra (a comedy)

initial in gold on a pink and green ground, 'P'(hilopolus) (f. 36v). Initials alternating in red or blue. Rubrics and protagonists names in red. Poems (index Poemata); Laphra (a comedy) Written by the author, Giovanni Mario Filelfo (b. 1426, d.

• Decorated initial 'R'(es) at the beginning of William of Malmesbury's Gesta regum Anglorum., Gesta regum Anglorum, imperfect

Gesta regum Anglorum. 1 large red initial with green, red, blue, and brown foliate decoration (f. 1). 6 large initials in red (often oxidised) or green, mostly simple, but some with decoration in the other colour or also with yellow

• Detail of historiated initial., Miscellany, including Liber Hermetis de alchimia (ff. 155-157); Liber triginta verborum (ff. 164-166); De duodecim aquis (ff. 166v-167v); and De naturis colorum iuxta Aristotelem 70 preceptorum (ff. 185v-186).

1457 to Würzburg). 1 large red initial with a human face (f. 84). Large and small initials in red, green, blue, or brown, two decorated with patterns. Paraphs in red. Marginalia. 1 table (f. 121). Blank spaces left (for illustrations?).

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of