• Historiated initials with Catherine, at the beginning of her suffrage., Book of Hours, Use of Tournai

Smaller initials in gold on red and blue grounds (2 lines) accompanied by partial foliate boarders, in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Book of Hours, Use of Tournai

• Historiated initial with Michael and the dragon, at the beginning of his suffrage., Book of Hours, Use of Tournai

Smaller initials in gold on red and blue grounds (2 lines) accompanied by partial foliate boarders, in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Book of Hours, Use of Tournai

• Illuminated initial 'H'(enry) and three-sided foliate border, at the beginning of the statutes of the reign of Henry IV, Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III to 31 Henry VI

foliate borders (ff. 2, 150, 238, 241, 252, 266, 271, 274, 275v). Small initials in blue with red flourishing. Paraph marks alternately red or blue. Probably by more than one artist. Nova Statuta (index Statutes of England; Statuta Angliae, Statute

• Interlace initial 'N'(untiatum), at the beginning of Book 12 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Decorated initial 'M'(arcus), enclosing a depiction of a building, at the beginning of Book 13 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Decorated initial 'M'(arcus), enclosing a depiction of a building, at the beginning of Book 13 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Interlace initial 'N'(untiatum), at the beginning of Book 12 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, and full borders incorporating putti, birds, animals, buildings, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Detail of the heraldic arms of Ludovico Maria Sforza, at the beginning of Aulus Gellius's Noctes Atticae, from the lower border., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Detail of border., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Miniature of the Adoration of the Magi, Virgin and child sitting in a bed, decorated initial 'D'(eus), and full foliate border, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use fo Tournai

126, 126v, 127v, 128). Smaller initials in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in blue. Book of Hours, Use fo Tournai Calendar with a choice

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Puzzle initial., Les Ethiques d'Aristote

by a large initial in gold on a red and blue ground (f. 1). 2 large puzzle initials in red and blue (ff. 31, 51). 7 large initials in plain blue (ff. 88, 119, 158, 183, 219, 249, 282). Small

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue