• Detail of a miniature of the Creation of Eve., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Expulsion., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniatures of Noah's ark in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Historiated initial 'Q'(ui) of Christ carrying the cross., De imitatione Christi

in red or blue at the beginning of books 2, 3 and 4 (ff. 28v, 45, 101v). Numerous smaller initials in blue or red at the beginning of chapters. Rubrics and running headers in red. Paraphs in blue or red.

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Miniature of women protesting against the Lex Oppia, with a full border containing the royal arms of England on a banner held by an angel, and on a shield surrounded by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a crest of a white lion, with two other shields bearing the same arms, differentiated by labels of three and five points for Edward's sons, and the Yorkist badge of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'E'(n), at the beginning of book 9., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Miniature of a battlefield with dead bodies of the Horatii and the Curiatii, with one of the Horatii on a horseback, with a full border containing the royal arms of England on a banner held by an angel, and on a shield surrounded by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a crest of a white lion, with two other shields bearing the same arms, differentiated by labels of three and five points for Edward's sons, and the Yorkist badge of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'C'(y commence), at the beginning of book 8., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Miniature of the birth of Cyrus, at the beginning of book 4., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of the birth of Alexander, at the beginning of book 5., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of Tiberius refusing the crown, at the beginning of book 8., Le miroir historial (a French translation of the Speculum historiale), books 6-9

109, 180). Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and/or blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of Charles V, king of France with his court, receiving a book from the translator, Jean Corbechon, with a full border containing the royal arms of England on banners held by two angels and on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of the prologue., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a

• Detail of a miniature of Hircanus hurting the king of Arabs at the walls of Jerusalem., La grant hystoire Cesar, i.e. Les faits des Romains, with additional texts

with instruction to illuminators (e.g., f. 344). Initials in gold with pen-flourishing in black or in blue with pen-flourishing in red. Line-fillers in blue and gold. La grant hystoire Cesar, i.e. Les faits des Romains, with additional texts Louis of