• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII

• Detail of a miniature of God creating animals, at the beginning of chapter 1., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible

• Detail of two hybrid grotesques from the right margin of the folio., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible

• Text page., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible

• Detail of a miniature of Moses speaking to God in the Tabernacle, at the beginning of book 4 (Numbers)., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

partial borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible

• Detail of a miniature of a man labouring an orchard, at the beginning of book 2., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Detail of a miniature of the author and a gardener in a herb garden, at the beginning of book VI., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Detail of a miniature of peasants mowing and making hay, at the beginning of book 7., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Miniature of a man digging in a pleasure garden, with a partial bar border, at the beginning of book 8., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Detail of a miniature of a man digging in a pleasure garden, with an illuminated initial 'D', at the beginning of book 8., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Detail of a miniature of a man fishing and another one fowling, with a partial border, at the beginning of book 10., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Detail of a miniature of a man fishing and another one fowling, with a partial border, at the beginning of book 10., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

partial border (ff. 28, 62, 76v, 157, 204, 208, 270v, 305v), at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white. Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour

• Historiated initial and partial border with heraldic arms, at the beginning of Franchino Gafori's Theoriae Musicae Tractatus., Theoriae Musicae Tractatus, with table of content (f. 1r-v)

and gold (f. 2v). Large initials in gold on red, blue and green grounds, with foliate extensions into the margins. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Diagrams. Theoriae Musicae Tractatus, with table of

• Decorated initial 'A'(mor) and full border including medaillons with a bird and a rabbit, at the beginning of Matteo Maria Boiardo's Amorum libri tres; heraldic arms in the lower margin., Amorum libri tres

out and replaced with fragments of 15th-century borders (ff. 37, 69). Smaller initials in gold with blue pen-flourishing. Small initials in plain gold or blue. Amorum libri tres Colophon 'die quarto Januarii Mcccclxxvij' (f. 98).Unidentified owner, by c. 1477: arms

• Decorated initial 'Q'(uelle) with a crowned half-bust figure and a partial white-wine border, at the beginning of book 3; the border in the lower margin is a 15th-century replacement., Amorum libri tres

out and replaced with fragments of 15th-century borders (ff. 37, 69). Smaller initials in gold with blue pen-flourishing. Small initials in plain gold or blue. Amorum libri tres Colophon 'die quarto Januarii Mcccclxxvij' (f. 98).Unidentified owner, by c. 1477: arms

• Miniature of the Baptism of Christ, at the beginning of the second article of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Meung's Sept articles de la foi. The leaves are misbound and the 1843 catalogue describes a blue morocco binding, which suggests that the binding pre-dates the volume's arrival at the British Museum; it may therefore date from shortly before the

• Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Coronation of the Virgin, at the beginning of Compline in the Hours of the Virgin; heraldic arms., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Angers

colours, gold, and silver. Small initials alternating in gold or silver on red or blue grounds. Line-fillers decorated in gold on red grounds, silver on blue grounds, or brown branches of wood. Book of Hours, Use of Angers Unidentified owner,

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Tours

contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark