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British Library Catalogue of Illuminated Manuscripts
(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his
(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his
historiated initials in colours, at the beginning of the text ad the preface (ff. 2, 7). Initials in black on blue grounds, or in gold on red grounds. Moralia, book 3, 19: De virtute mulierum Mary I (b. 1516, d.
of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick
Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick 2003 no.
in colours and gold. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome The Harley Collection, formed by Robert Harley
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in