• Minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of David watching Bathsheba bathing in a pool ornamented with two statuettes: Amor shooting an arrow at the bosom of Bathseba, and Abundance holding a torch and a cornucopia, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature depicting the Adoration of the Magi; at the beginning of the Hours of the Virgin at Sext., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature including angels., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of the Annuncation., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a minature of Christ carrying the cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Detail of a miniature of Bathsheba bathing in a pool., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard

• Miniature of the painter Zeuxis painting nude models from nature., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Raison (Reason) advising the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Virginius beheading his daughter Virginia., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of l'Ami (the Friend) and the Lover., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Beaute (Beauty) and Laideur (Ugliness) fighting Chastete (Chastity)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Delilah cutting Samson's hair., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of the Lover meeting Richesse (Wealth)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Miniature of Amour (Love) handing a letter to a messenger., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Faux Semblant (False Seeming) addressing Amour (Love)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Faux Semblant (False Seeming) holding hearts, and Amour (Love)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of miniature of Faus-semblant and Contrainte-Abstinence speaking with Malebouche., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of la Vieille (the Duenna) and Bel Accueil (Fair Welcome)., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in

• Detail of a miniature of Dido falling on her sword and committing suicide after Aeneas' betrayal., Roman de la Rose (index Romance of the Rose)

140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in