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in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green and/or red (ff. 35v, 43v, 56v, 88, 88v, 95v, 104). Small initials in plain red, green or blue, sometimes with ornamental
62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
the text (f. 2). 10 large initials in blue ink marking each chapter (ff. 5, 8v, 12, 15v, 19, 23, 26v, 29, 34v, 37v). Smaller initials and paragraph marks in alternating blue or dark red. Trionfi (index Triumphs) Defaced arms
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
5th earl of Ashburnham: his manuscript Barrois MS. 214; the Ashburnham-Barrois sale, 10 June 1901, lot 332 (inscribed '332' in blue pencil, in the lower left corner of the upper pastedown), bought by the British Museum, using the Bridgewater fund
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
59, 60v, 61; 87, 88v, 89; 133, 134v, 135). Large foliate initials in gold on grounds of red, green, and blue, some also in further borders. Initials in gold (chrysography). Incipits and explicits in gold, some in coloured frames. Running
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in