of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
the text (f. 2). 10 large initials in blue ink marking each chapter (ff. 5, 8v, 12, 15v, 19, 23, 26v, 29, 34v, 37v). Smaller initials and paragraph marks in alternating blue or dark red. Trionfi (index Triumphs) Defaced arms
ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
5th earl of Ashburnham: his manuscript Barrois MS. 214; the Ashburnham-Barrois sale, 10 June 1901, lot 332 (inscribed '332' in blue pencil, in the lower left corner of the upper pastedown), bought by the British Museum, using the Bridgewater fund
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in