• Initial with foliate decoration., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Initial 'I'(am) with man and a dragon enmeshed in foliage., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

'liber de claustro Roffensis Huberti precentor' (f. 2); listed in its catalogue: see Ker 1964.John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

'liber de claustro Roffensis Huberti precentor' (f. 2); listed in its catalogue: see Ker 1964.John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

'liber de claustro Roffensis Huberti precentor' (f. 2); listed in its catalogue: see Ker 1964.John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

'liber de claustro Roffensis Huberti precentor' (f. 2); listed in its catalogue: see Ker 1964.John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

'liber de claustro Roffensis Huberti precentor' (f. 2); listed in its catalogue: see Ker 1964.John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Historiated initial 'A'(u commencement) with a Creation scene combined with a full bar border with ivy leaves and a dragon at the beginning of the Chronique de la Creation du monde., Chronique de la création du monde (until 1327)(ff. 3-50v)(index Chronique de la creation du monde); Le chapel des trois fleurs de lis (in verse)(index Le chappel des trois fleurs de lis)(ff. 51-58)

Small miniature in colours and gold of Jacques de Vitry writing while a crowned lady presents the model of a church to a knight on a horse, with a large initial with ivy leaves and a full bar border with

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Historiated initial 'O', which introduces the text for the feast of Ulrich, patron saint of Augsburg Cathedral, with a bust-length image of the saint in priestly garments., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Initial 'D' with zoomorphic and interlace decoration., De laudibus virginitatis, letter to Ehfrid (index: Heahfridum), both with interlinear and marginal glosses

Ker, 1957).The Benedictine cathedral priory of Christ Church, Canterbury: lines on the death of Henry of Blois (d. 1171) added in the late 12th century (f. 109v) by a scribe of Christ Church, Canterbury.4 parchment flyleaves (ff. 1-4) have been

• Initial 'E' with penwork decoration., De laudibus virginitatis, letter to Ehfrid (index: Heahfridum), both with interlinear and marginal glosses

Ker, 1957).The Benedictine cathedral priory of Christ Church, Canterbury: lines on the death of Henry of Blois (d. 1171) added in the late 12th century (f. 109v) by a scribe of Christ Church, Canterbury.4 parchment flyleaves (ff. 1-4) have been

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of pen drawings illustrating Psalm 53, with a decorated letter 'D'(eus in nomine tuo)., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ