of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian Church were established at the synod of Bergen in 1164 after the election of King Magnus: this fragment relates to
of the church mass for the coronation of Claude de France, and decorated initial 'P'(uis), in Le Sacre de Claude de France. On Jean Coene IV see gnerally Eberhard König, ~Boccaccio und Petrarca in Paris~, Leuchtendes Mittelalter Neue Folge, (Passau:
Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed [under erasure] 'Liber Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er]
Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed [under erasure] 'Liber Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er]
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form
Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form