• Detail of a juggler, representing the third musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

a tonary (a collection of chant melodies) The cathedral of Saint-Etienne,Toulouse: privileges granted to, and gradual for use of this church (ff. 119-301); document from Ildefonsus, count of Touluse (dated 1128), addressed to Amalius, bishop of Tolouse (1105 to 1140)

• Detail of a juggler, representing the third musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

a tonary (a collection of chant melodies) The cathedral of Saint-Etienne,Toulouse: privileges granted to, and gradual for use of this church (ff. 119-301); document from Ildefonsus, count of Touluse (dated 1128), addressed to Amalius, bishop of Tolouse (1105 to 1140)

• Miniature of a man holding a set of bells, representing the fourth musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

a tonary (a collection of chant melodies) The cathedral of Saint-Etienne,Toulouse: privileges granted to, and gradual for use of this church (ff. 119-301); document from Ildefonsus, count of Touluse (dated 1128), addressed to Amalius, bishop of Tolouse (1105 to 1140)

• Detail of a man holding a set of bells, representing the fourth musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

a tonary (a collection of chant melodies) The cathedral of Saint-Etienne,Toulouse: privileges granted to, and gradual for use of this church (ff. 119-301); document from Ildefonsus, count of Touluse (dated 1128), addressed to Amalius, bishop of Tolouse (1105 to 1140)

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours

• Historiated initial 'B'(ritannia) with armed figures in a boat?, and a full border, at the beginning of Gaufridus Monemutensis's Historia Britonum., Miscellany of mostly historical texts

Eastern from 1368 onwards; the quire with the calendar (ff. 307-314) is perhaps a later addition. History of the Cathedral Church of the Holy Trinity, Norwich is recorded in detail.In the calendar is added 'Petrus Bovyll obiit 1516' (f. 313v).Unidentified

• Historiated initial 'B'(ritannia) with armed figures in a boat?, at the beginning of Gaufridus Monemutensis's Historia Britonum., Miscellany of mostly historical texts

Eastern from 1368 onwards; the quire with the calendar (ff. 307-314) is perhaps a later addition. History of the Cathedral Church of the Holy Trinity, Norwich is recorded in detail.In the calendar is added 'Petrus Bovyll obiit 1516' (f. 313v).Unidentified

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Border roundels with the Maries at the sepulchre, and the 'Noli me tangere', in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Detail of text., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Miniature of worshippers in a church, with a statue of Christ blessing, for the suffrage for Peace., Book of Hours, Use of Sarum (The 'Neville of Hornby Hours')

worshippers in a church, with a statue of Christ blessing, for the suffrage for Peace. Egerton 2781 is closely related in style and iconographic content to the Taymouth Hours (Yates Thompson 13) and the Smithfield Decretals (Royal 10 E IV).

• Illuminated initials 'N'(unc) and 'I'(ncipit), with foliate extensions., Compendium litterale totius Scripture

fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);

• Detail of a miniature of the burning of the church at Tours., Chroniques de France ou de St Denis

of the burning of the church at Tours. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350, and illuminated in

• Detail of a miniature of the Saracens plundering and profaning the church of St James (by defecating at the altar), at the beginning of chapter 10 of 'Charlemagne' book 5., Chroniques de France ou de St Denis

the Saracens plundering and profaning the church of St James (by defecating at the altar), at the beginning of chapter 10 of 'Charlemagne' book 5. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of

• Miniature of Louis the Pious sustaining an accident on the stairway to church, and Louis giving orders to prelates., Chroniques de France ou de St Denis

an accident on the stairway to church, and Louis giving orders to prelates. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made

• Miniature of the flight of Louis, son of Charles the Simple, and his mother, and the Normans burning a church, and Benedict appearing to Sigillophus., Chroniques de France ou de St Denis

the Simple, and his mother, and the Normans burning a church, and Benedict appearing to Sigillophus. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine

• Detail of a miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, at the beginning of the text., Compendium litterale totius Scripture

fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);