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idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:
story of a monk that brought one plank down to house in a church at the foot of the mountain. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,
meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle,
de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.
of a queen entering a church, with an angel following behind. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the
of two ladies outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London
of a monk entering a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy
scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo