• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church., Grande Chronique de Normandie

Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church. The clothing suggest a date somewhere around 1465. 15 half-page miniatures, the first

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Detail of a historiated initial 'C'(onsecracio) of a consecration of a church by a bishop., Omne Bonum (Circumcisio-Dona Spiritui Sancti)

'C'(onsecracio) of a consecration of a church by a bishop. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal 6 E

• The decorated initials 'KL' have been excised at the beginning of the month of September in the calendar. Note the dedication of the church of All Saints in Maldon on 24 September (possibly added)., Missal, Use of Sarum, imperfect

the month of September in the calendar. Note the dedication of the church of All Saints in Maldon on 24 September (possibly added). Musical notation. ff. 154-155 are written in a different contemporary hand, with only coloured initials. f. 155v

• Decorated initial 'I'(n principio) with penwork decoration at the beginning of John's Gospel., Evangeliary

for Martin of Tours (f. 38v), with a sword and wheel for Catherine (f. 39v), with a church for the dedication of a church (f. 40v). Numerous large calligraphic initials in a combination of red, blue and/or black with penwork

• Miniature of the Annunciation in the upper register and of the Nativity in the lower register., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Genealogical tree showing the descendants of Jacob., The Cloud of Unknowing, with marginal gloss

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Decorated initials G'(od) and 'I'(n)., The Cloud of Unknowing, with marginal gloss

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Detail of a miniature of monks singing a requiem, with the celebrant wearing spectacles, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Church mass Master of the Salisbury Breviary St Stephen Master of the Bedford Hours Paris France, Central (Paris)

• Detail of a drawing of an author portrait of Aldhelm., De laudibus virginitatis; letter of Aldhelm to Ehfridus

Ehfridus, with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Aldhelm Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)

• Foliate initial 'C'(lemens) with a medallion of a portrait of the author, pope Clement I, at the beginning of the text., Collectio Lanfranci

acquired by the Upper Library at Westminster after the inventory of 1542.Added notes concerning questions of consanguinity, authority of the church hierarchy, etc. 16th century (e. g. ff. 3, 81, 87, 136).Added collation of part of the contents, early 17th

• Zoomorphic initial 'Q'(uid glorias) with interlace, foliate decoration, and a grotesque dragon extender., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Zoomorphic initial 'D'(omine) with interlace, foliate decoration, and a grotesque dragon extender, with a horned and tonsured head., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Text page., Leaf from Bracciolini's 'De infelicitate principum', cropped

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initial 'C'., Leaf from a Commentary on Psalm 70

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initial with penwork decoration., Leaf from Hrabanus's 'De Universo', Book XIII, chapters 6-10

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initials with pen-flourished decoration., Leaf from a Lectionary

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding