• Miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Border roundels with the Maries at the sepulchre, and the 'Noli me tangere', in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Detail of text., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Illuminated initials 'N'(unc) and 'I'(ncipit), with foliate extensions., Compendium litterale totius Scripture

fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);

• Detail of a miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, at the beginning of the text., Compendium litterale totius Scripture

fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);

• Detail of a miniature of the enthroned Virgin with All Saints. To the left the kneeling figures are presumably Lord Lovell and his wife, although they do not have any heraldic emblems on their clothes to identify them with certainty; he holds a scroll which reads 'Pray for us, all saints of God'., Lectionary, imperfect (the 'Lovell Lectionary')

and livery badge of a padlock throughout, identified in a 17th-century hand. Glastonbury Abbey: added arms (f. 10).? The cathedral church of St Mary, Salisbury: found and acquired by Hollard (inscription cited below).Joseph Hollard, of the Inner Temple: inscription 'Manuscriptum

• Detail of a genealogy of the Holland family., Lectionary, imperfect (the 'Lovell Lectionary')

and livery badge of a padlock throughout, identified in a 17th-century hand. Glastonbury Abbey: added arms (f. 10).? The cathedral church of St Mary, Salisbury: found and acquired by Hollard (inscription cited below).Joseph Hollard, of the Inner Temple: inscription 'Manuscriptum

• Miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, with a full border and a shield with cross, crown of thorns, and crossed lance and sponge, at the beginning of the text., Compendium litterale totius Scripture

fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);

• Initial 'L'(yfe thow) with pen-flourishing with a drawing of twin dragons with the sun and moon. The dragons and text were reproduced by Elias Ashmole (b. 1617, d. 1692), on page 212 of his ~Theatrum chemicum britannicum~, which is noted at the top of the folio., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Astrological drawing of the sun, moon, and Zodiac constellations., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Detail of a miniature of Christ in the Garden of Gethsemane with foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Decorated initials 'KL' with pen-flourishing at the beginning of the month of July in the calendar., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems

• Excised decorated initial combined with a full foliate bar border., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems

• Champ initials and decorated catchword written within the body of a hybrid creature., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems