• Full-page miniature of a church., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465

• Miniature of a church., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465

• Historiated initial 'G'(loriosissimam) with Augustine as a bishop, with stigmata, combined with a three-sided white vine border including the coats of arms of the Hungarian humanists Janus Vitez (index John Vitez) and Petrus Garazda (index Peter Garazda), medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a dog, birds and flowers., De Civitate Dei (index City of God)

humanists Janus Vitez (index John Vitez) and Petrus Garazda (index Peter Garazda), medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a

• Calendar page for September, on the left, and for August (bound upside down) on the right., Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• null, Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• Decorated line and initial 'E'., Speeches, including 'Olynthiaca' 1-3 (ff. 1-15) and 'Philippica' 1, 2, 3-4 (ff. 15v-23, 27v-32v, 48v-70)

and Harlfinger 1981.The Cathedral Church of St Peter and St Wilfrid at Ripon: owned in the 17th century; its inscription 'Liber Ecclesiae Collegiatae de Ripon' (ff. 1, 304v; see Wright 1972).Thomas Mangey (b. 1683/4, d. 1755), Church of England clergyman

• Full border and initial with foliate decoration., The Fall of Princes, Books 1-9, imperfect (ff. 1-182v), preceded by a table of contents (f. 1* verso), and followed by Lydgate's 'Defence of Holy Church', imperfect (ff. 182v-183)

1-9, imperfect (ff. 1-182v), preceded by a table of contents (f. 1* verso), and followed by Lydgate's 'Defence of Holy Church', imperfect (ff. 182v-183) Receipts dated to the 30th year of reign of Henry VIII (1539-40; f. 182v), the beginning

• Coloured decorated headpiece, title in display capitals, and decorated initial 'A'., Speeches, including 'Olynthiaca' 1-3 (ff. 1-15) and 'Philippica' 1, 2, 3-4 (ff. 15v-23, 27v-32v, 48v-70)

and Harlfinger 1981.The Cathedral Church of St Peter and St Wilfrid at Ripon: owned in the 17th century; its inscription 'Liber Ecclesiae Collegiatae de Ripon' (ff. 1, 304v; see Wright 1972).Thomas Mangey (b. 1683/4, d. 1755), Church of England clergyman

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Initial 'V' with filigree penwork decoration., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'V' of Michael weighing a soul., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiatd initial 'A' of the Presentation in the Temple., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'S' of Saint Peter dressed as a pope and holding a book., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'L' of Lucy holding eyes on a dish and a palm leaf., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'F' of John the Baptist., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'B' of Longinus holding a spear., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'D' with Simon and Andrew fishing on Lake Galilee., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Initial 'A' with filigree decoration., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Detail of a bas-de-page scene of a queen entering a church, with an angel following behind., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of a queen entering a church, with an angel following behind. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the